The work of Romain Carré-Mattei explores the idea of objectivity through a multidisciplinary practice, poetising the human search for a perception outside itself. A research that confronts the foundations of knowledge, showing the incompleteness of theories and perception, as well as the fragility of a discourse on the edge of the observable world.

Often referring to Phusis, his projects encompass worlds, life, physics, realities... without hierarchy, calling into question Western concepts of Nature and environment. The landscapes he creates are shifting, multiplying points of view and interweaving different scales through the image, as a single interdependent entity. His practice is a plastic-digital ecosystem, in which synthetic or living biomaterials blend with digital and fictitious agents.

After studying architecture and engineering in Nantes and Venice, Romain Carré graduated in 2021 from the Beaux-Arts de Nantes and the Observatoire de Paris with honours. His work has been presented in France and abroad in several institutions such as the Palazzo Ca’Tron, IT (2018), the Maison régionale de l’architecture des Pays de la Loire, FR (2017), the Obejctif Vidéo Nice festival, FR (2022), the CROUS gallery, FR (2023), or the Bissone Arte ‘22, CH (2022).